Photos: Raul Stolk
He was in the middle of nowhere, not knowing where to go. No phone, no money, no shoelaces. A cop offered him a ride from the ICE processing center to a nearby gas station. Once there, a Mexican lady who owned the place saw his face, offered him a slice of pizza, and allowed him to use her phone.
José Rafael Guzmán spent two months jailed in Hudspeth, Texas. Sooner than later, he says, the reasons won’t be reasons anymore. He talks without pause, a thousand stories pounding inside his chest, his neck too thin to let everything out at once. The PR strategy goes far beyond what common sense dictates: he must do as his lawyer says. There’s a couple funny moments during the conversation, but he’s generally introspective, serious, narrating in quick sentences. Not what you’d expect from this particular comedian.
José Rafael Guzmán spent two months jailed in Hudspeth, Texas. Sooner than later, he says, the reasons won’t be reasons anymore.
The story begins a couple of months ago, when José Rafael was making a life-long dream come true: a roadtrip across America. He stopped in cities and towns, taping content for Comida, Calle y Comedia, his YouTube channel very much in the line of Caminantes, a web series in which he joined a group of migrants in Colombia, alongside Silvia Baquero, his producer, to document with humor the Venezuelan migration crisis. This time, the pair was taping José Rafael’s encounter with American culture, the deep, real America. In Philadelphia, he climbed the Rocky steps, crying after reaching the top. In Los Angeles, he visited Schwarzenegger’s star in the Walk of Fame. Rocky and Arnold are an inspiration for everything he does: “I was raised in a home without cable.”
They successfully finished the tour and ended on a high note by visiting a cannabis farm in California, where they shot some footage since José Rafael advocates for the legalization of marijuana and, it’s no secret, he’s an avid enthusiast of its recreational use.
Me no English
On August 12th, the day of his last Instagram post, Border Patrol officers stopped him at a checkpoint in El Paso, Texas. At first he thought it wouldn’t be that big of an issue. Then the officers cuffed him and took him under custody.
Silvia was instructed to call Oswaldo Graziani, one of the founders of Plop! (the agency behind El Chigüire Bipolar) and José Rafael’s close friend, and ask him for help to get a lawyer. Between Silvia and Oswaldo, they came up with a strategy to infiltrate certain El Paso socialite circles to find the best lawyer possible for Jose’s case —this is a whole story in itself. And they found the man: Jeep Darnell, a young lawyer, built like a quarterback, with a hat and cowboy boots and a shiny belt buckle. Texan, very Texan, and truly pragmatic and open minded. “What’s happening to you is something that has happened to every rockstar,” he told José Rafael in their first meeting.
He could pay 10 % bail, which in this case was $300 and be released immediately. But if he went that way, they’d probably hand him over to ICE, and he would be deported. And not to Mexico, where he had been living for the last few years, but to Venezuela. And that’s not an option for him: Venezuelan authorities didn’t only censor his radio and TV shows, but he also has a warrant for “inciting hate crimes.” The Venezuelan regime is after him.
The lawyer’s recommendation was that he remained in prison for the entire process. Jeep was optimistic, he was sure he’d walk free of charges, but he was also very clear: best case scenario was a month, worst case scenario was six. José Rafael almost had a heart attack: “Don’t worry about the legal part, we’ll take care of that. Leave it to Oswaldo. You worry about being OK in here, because you’re going to have a bad time.” Double heart attack.
After the process of admission, he was taken to Hudspeth County Jail. A forsaken town two hours away from El Paso, where everything revolves around the prison. This prison wasn’t like what he had seen in Nat Geo documentaries. It was a small prison, for temporary stay, where inmates don’t spend more than a year. There was, however, a varied representation of criminals, covering a broad range of crimes, races, and affiliations.
“I have to clarify something here,” says José Rafael, “I didn’t speak a word of English. It’s not something I am proud of, obviously, but it is what it is. It’s like they were speaking German. So, after they searched me, the guard, who was an old man whom I couldn’t understand, starts saying ‘foot up, foot up’, and I didn’t get what he meant. And since I was naked and I’d been searched everywhere, I assumed there was only one thing missing. So I bent over and opened my buttcheeks. The old man started yelling like crazy ‘feet! feet!’ and then I got it. What he wanted was to check the soles of my feet.”
The shoes worn in El Paso, free and with shoelaces. Photo: José Rafael Guzmán, 2019.
He was given a striped uniform and they took his shoe laces—part of the protocol so prisoners don’t hang themselves. And from there, he was walked to a cell with seven people. Four bunk beds, one WC, all of it in 3×7 square mts.
The first test happened on the day of his arrival, when one of his cellmates grabbed him from behind with the shower curtain. He embraced him tightly, measuring how strong he was. José Rafael wrestled himself out and pushed him how he could. The guy laughed mockingly and told him he was kidding. “Being in jail is a constant negotiation to not get fucked, and I’m not joking about this. In the beginning everything revolves around it,” he says.
That same night, despite the nerves, he was so tired he was able to fall asleep, but was interrupted. “Suddenly, I feel something weird, and when I opened my eyes, the same guy from the shower was resting his penis on my hand. I jumped and the guy laughed again and said that it was a game,” Imagine José Rafael Guzmán, the comedian, saying this with a straight face. But something happened there that he wasn’t expecting. Another one of his cellmates, El Cholo, an old man who came from a federal prison, interceded on his behalf.
For black people he was white, for white people he was Latino, for Latinos he was Venezuelan and he was the only one. He didn’t belong with any group. “The most important thing is who you ‘walk’ with in jail. Do you understand, ‘Coño’?” said El Cholo. “Coño,” which literally means pussy but is used as “fuck” in Venezuela, was the name they gave him when he got to jail. Why? Well, because José Rafael says “coño” every three words.
“I’d like to say I was a man’s man, but no. I knew that the physical way wasn’t gonna be my way, I had to use my head. You have no strength to overpower a man who lifts 180 kilos, who’s working out all day, who’s ripped, and wants to fuck you. I’m really proud of the fact that I didn’t have to fight anyone, not even once, and I got out unfucked.”
Initially, the situation was that of extreme bullying, there was always someone looking for a fight. But José Rafael fought back with comedy. He told stories and sang songs like an old jukebox. “‘What song do you like? Back in Black?’ And then I’d give a concert, imitating every instrument, which was something I did in school, and they’d laugh their asses off.”
Asking someone who’s been in jail if he’s been fucked is an indiscretion.
Eventually he stopped being Coño and became “Venezuela.” And his peers, who had already grown fond of him and didn’t understand anything about what was going on in his country, from time to time cheered “Venezuela libre!”, which of course had a double meaning for him.
And there he was, mingling with rapists, thieves, narcos, and even murderers. Negotiating every day and making allies. Allies that then became friends. They taught him how to fight and he learned how to speak English. In exchange, José Rafael, who had become this tiny world’s culture minister, not only entertained them but provided moral support.
The prison system breaks you, they take the sun away so you can’t fight, they give you a uniform so you lose your identity. “We had one hour of sunlight per week, and even so, some inmates didn’t even want to look outside and covered the windows with toilet paper.” They told him that daydreaming about what’s outside was harmful, that hope was a disease and he had to focus on the present. They also taught him that in jail you’re not a lesser man if you cry or a better man for fighting.
Something to hold on to
Meanwhile, just like the teams people assemble in Venezuela to help pull friends out of jail, a couple of lines of defense were supporting him. In the first one, were Valerie Lollett and Oswaldo Graziani, alongside Silvia. Oswaldo handled the lawyers and Valerie was in charge of managing José Rafael’s anguish. In the second line, Ximena Otero and Led Varela coordinated resources and helped compile a file good enough to explain to an American who is José Rafael Guzmán: a Venezuelan Seth Rogen with social awareness.
After a couple of weeks in jail, he was obviously accumulating ideas and he bought a legal pad, those yellow ones like in the movies, and a pencil (which he tied to his hand at night, in case any of his neighbors got happy and creative at midnight) to get to work. Thinking he’d be out relatively quickly, in the beginning he limited himself to writing a couple of ideas, but when he realized his case wasn’t making any progress, he ended up writing the entire script for his next stand-up.
The name was right there: “Sin robar a nadie” (Without Stealing from Anyone). A sort of mantra that he’s been using for a while. José Rafael holds on to certain phrases in an almost compulsive way. “Sin robar a nadie,” “until it’s amazing,” “inspiration: Arnold Schwarzenegger,” and “God, give me peace but don’t take the war away”. He usually says the last one every time he’s going to go on stage and it became a prayer that he repeated every night, in jail, often skipping the second part.
Because José Rafael prayed. “You need something to hold on to.” He read the Bible a couple of times and connected with a Muslim man who prayed five times a day. Sometimes he joined him “praying his own shit.” He was a Jordanian journalist who had traveled to California to treat his wife, who has advanced breast cancer, with cannabis-based patches that would relieve the pain. When they crossed the state border to Texas they were detained by Border Patrol and he landed in the same prison as José Rafael.
There’s tons of confusion in several states after hemp was legalized by the federal government. According to the statute, in order for cannabis to be considered hemp it should have less than 0,3 % THC. So, states with strict regulation tend to make mistakes between what’s legal and what’s illegal, and to figure it out, they need to run expensive tests that simply aren’t justified when it’s a minor infraction.
José Rafael doesn’t get people who demonize cannabis.
Sin robar a nadie
When the case unfolded, his lawyer and the prosecutor saw eye to eye and both asked the judge to dismiss the charges. And even though this was a big breakthrough, they still had to wait for the judge to review the file and confirm the motion to dismiss. This process took several weeks. During those days José Rafael came very close to giving up and paying bail, no matter the consequences, but Jeep kept him on track: “You’re thinking like an animal now, because you are in a cage and you’re scared and not thinking straight.”
His friends coordinated resources and helped compile a file good enough to explain to an American who is José Rafael Guzmán: a Venezuelan Seth Rogen with social awareness.
Finally, the judge dismissed the charges and granted him freedom. The announcement came as a surprise, but it wasn’t like in the movies: instead of happiness, he was riddled with anguish. The day he was released, October 18th, ICE agents picked him up in jail and took him to one of the initial centers where he had been processed. He didn’t have time to think that the nightmare was over. The new threat was that he was being taken to a holding center for immigrants and then he’d be deported. They played with him, just like Venezuelan cops do. But after several hours, and after José Rafael asked to speak with his lawyers (yes, in plural), they let him go.
They let him go, just like that, in the middle of nowhere. Walk away, go. And that’s how he made it to the gas station and called Valerie: “Come get me.”
He’s in Miami now. Wearing the same black shoes he was wearing when he went to jail, but with shoe laces. He has tons of plans and he’s completely free, and he’s filing for an extraordinary ability visa. His eyes sparkle when he talks about the ideas for his new show and future documentary projects, but you can tell he’s still shaken.
José Rafael knows that what he went through is not even close to being in jail in Venezuela, but at the same time, jail is jail. “My time in jail is the exact amount of time to say it wasn’t a big deal, but long enough to know how it is on the inside and being terrified by it, especially because I’m just like you, like anyone else, just a dick who has stole from no one”.
Caracas Chronicles is 100% reader-supported. Support independent Venezuelan journalism by making a donation.
This post was originally posted on Caracas Chronicles – View Original Article